This Fine Art Quality Watercolor Pencil captivates by its brilliant colors, soft stroke and highest lightfastness ratings. Its true distinction reveals itself, however, when dissolved with water: clear line flow into smooth transitions to produce stunning watercolor washes. The colors are fully blend-able to achieve an infinite number of shades.
Paper Pad Strathmore Acrylic is an extra heavyweight sheet (400g/m2) that has a classic linen finish to mimic the surface of traditional canvases. It's perfect for acrylic painting so you can take it outside as a convenient alternative to canvases.
Additional feature of this paper pad is glue bound flip-over cover.
Paper Pad Strathmore Toned Sketch is perfect for media such as: graphite, chalk, charcoal, sketching stick, markers, colored pencils, pens and white gel pens.Paper is available in two color versions: Warm Tan and Cool Gray.
100% recycled, contains 30% post-consumer fiber, acid free, 118g/m2, 24 pages.
Additional feature: wire Bound sheets are micro-perfortated and are actual size when removed at the micro-perforation.
Paper Pad Strathmore perfect for alcohol-based markers, water-based markers, solvent-based markers, pen & ink, mechanical pencil.
The smooth surface allows markers to glide and blend easily. The acid free, heavyweight (190g/m2) sheet is bleed and feather resistant so artists can apply multiple layers of color.
Paper Pad Strathmore for sketching is perfect for media such as: graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, oil pastel.
Heavyweight sketch book for all dry technics, wire bounded, acid free.
Paper Pad Strathmore for Mixed Media is perfect for various technics including watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage. Ideal for students, heavy weight paper with vellum structure, acid free.
Additional feature of this paper pad is glue bound flip-over cover.
Strathmore Toned Tan Sketch Art Journalis perfect for graphite, chalk, charcoal, sketching stick, markers, china markers, colored pencils, pens and white gel pens.
This sketch paper is ideal for light and dark media. 100% recycled, contains 30% post-consumer fiber, acid free.
Journal has matte hardbound cover in dark chocolate brown.
Quality Smyth-sewn binding allows book to open wide and lay flatter.
Strathmore Mixed Media Art Journal is perfect for watercolor, gouache, acrylic, graphite, pen & ink, colored pencil, marker, pastel and collage.
This professional quality paper is internally sized for wet media with durable vellum finish for drawing techniques. 100% cotton fiber, acid free, lignin free, archival.
Journal is velvety soft covered in rich dark brown. Quality Smyth-sewn binding allows book to open wide and lay flatter. Flexible lightweight format in convenient, portable sizes.
Strathmore Toned Sketch Art Journalis perfect for graphite, chalk, charcoal, sketching stick, markers, china markers, colored pencils, pens and white gel pens. Journal available in two versions of Warm Tan and Cool Gray.
This sketch paper is ideal for light and dark media. 100% recycled, contains 30% post-consumer fiber, acid free.
Journal is velvety soft covered in rich dark brown. Quality Smyth-sewn binding allows book to open wide and lay flatter.
Strathmore Watercolor Art Journal intermediate grade watercolor paper has a strong surface with a weight of 300g/m2 and this is ideal for watercolor, gouache and acrylic. The natural white color and traditional cold press surface allows for fine and even washes, as well as lifting and scraping applications. Paper is acid free.
Journal is lightly-textured, matte cover in dark chocolate brown. Durable Smyth-sewn binding allows pages to lay flatter.
Strathmore intermediate grade watercolor paper is suitable for all artists because of the fine and even washes that can be achieved using this sheet. It also has a strong surface 300g/m2 that will allow lifting and scraping applications. The natural white color and traditional cold press surface make it an ideal sheet for mastering watercolor techniques or for finished artwork. Sheet stock has two deckle edges.
This 100% cotton, medium-weight 190g/m2 paper is great for wet and dry media including watercolor, acrylic, pen and ink, pencil, crayon, charcoal, marker and collage. It is acid free, 68 pages with vellum surface.
Medium-weight paper great for watercolor, acrylic and collage. Also good for pen and ink, pencil and marker.
Acid free. Weight 190g/m2, 68 pages, cold press.
Strathmore Drawing Paper is available for every level of expertise from 200 through 500 Series Drawing. 400 Series is created for more stringent performance measures.
All of Heavyweight Drawing products have a medium surface with a weight of 163g/m2. Surface is durable enough to stand up to repeated erasing and reworking.
Excellent for use with pencil, colored pencil, charcoal, or sketching sticks. This cream-colored drawing paper is ideal for sketching and finished artwork.
Wire Bound sheets are micro-perforated and are Actual Size when removed at the micro-perforation. Acid free.
This heavyweight mixed media paper in steel blue, warm tan and cool gray is toned specifically for use with light and dark media. It also combines characteristics of a watercolor paper and the finish of a drawing sheet, creating a paper that performs for all wet and dry media. These papers are 100% recycled, contain 30% post-consumer fiber, and also contain kraft and bark fiber inclusions which adds visual interest.
Perfect for finished artwork.
Weight: 300 g/m2
ARCHES® paper is made on a cylinder mould (traditional process): quality close to that of paper made by craft methods. The paper is homogeneous, with a flatter surface and better wet strength and stability, giving the artist more control.
Designed for oil painting and oil pastels.
Available in 300 gsm what is the perfect balance artists need to express their creativity. Its grammage and thickness are suited to the application of both washes and impasto.
100% cotton with unique sizing and oil barrier (semi-absorbent surface). Ready to use without preparation (priming optional). Resistant to scratching. Prevents greasy rings forming and protects the fibres from oxidation in contact with the paint. Very tolerant to solvents. The paint sits on the surface for an excellent rendering of the colours and faster drying times.
ARCHES® paper is made on a cylinder mould (traditional process): quality close to that of paper made by craft methods. This process can produce papers with a high grammage and exceptional resistance to scratching and erasing, when they are gelatin sized to the core. Therefore, even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent.
Its 100 % long cotton fibre composition gives the paper its beauty, a natural, lasting whiteness and an inimitable touch as well as strength.
Exclusive to ARCHES®, gelatin sizing to the core preserves the lustre and transparency of the colours whilst preventing paints from penetrating into the paper. It allows superposing of washes and gives it added strength to resist erasing and scratching without tearing or linting. It also allows paints to be removed, either wet or dry, easily revealing the whiteness of the paper. ARCHES® Aquarelle can absorb a large amount of water with limited deformation.
Ideal for watercolour painting, as for all wet techniques such as ink, gouache and acrylic.
Available in 185, 300, 356, 640 and 850 gsm in different formats like sheets, rolls, pads glued on the short side, block glued on 4 sides and with 3 textures: cold pressed, hot pressed and rough.
ARCHES® Aquarelle has an even, natural grain. The choice of texture will depend on the medium used by the artist.
Colours: Natural white and bright white.
ARCHES® paper is made on a cylinder mould (traditional process): quality close to that of paper made by craft methods. The paper is therefore more homogeneous and has good dimensional stability.
Suitable for different technics: pencil, pastel, charcoal, sanguine crayon, graphite, calligraphy, pen and ink, felt pen, gouache, marbling, letterpress, blind embossing, bookbinding.
Made of 75% cotton with very good mechanical strength. Pleasure of using a soft, supple, noble material (unbelievable feel).
Texture is laid. The laid lines give the paper a certain relief and a prestigious surface that preserves every nuance of the pencil stroke and gives body and depth to the drawing.
Available in 85, 105 and 130 gsm, strong, but lightweight at the same time. Has very good bulk.
Gelatin surface-sized. Limits the paper’s absorption capacity (ink does not bleed) and guarantees good resistance of the fibres. Optimum rendering even after repeated corrections.
The new 25-piece black and white drawing set contains white pastel and charcoal products for sketching and drawing. Available in tin box.
Bockingford® is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards with an affordable price.
Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world. The paper will last for hundreds of years (in good storage conditions) and won’t discolour or fall apart.
Acid free & archival, Calcium carbonate buffered pH 7-9. In addition to watercolour the paper accepts pastel, gouache, acrylic, pencil, charcoal and pen & ink. The paper can also be used for certain print techniques and bespoke cartons.
Saunders Waterford® is an exquisite watercolour paper, traditionally made on a cylinder mould machine. Made using 100% cotton, the highest quality papermaking material, to high archival standards. Each sheet is buffered with calcium carbonate to help defend finished pieces of work from discolouration caused by acids present in atmospheric pollution.
The surface is sized in gelatine making it strong and resilient to scrubbing, and other rough treatments. 100% Cotton, acid free. No need to soak and stretch the sheet as the paper dries flat. Excellent for painting on location.
The paper will last for hundreds of years (in good storage conditions) and won’t discolour or fall apart. In addition to watercolour, this paper is suitable for pastel, gouache, acrylic, pencil, charcoal, pen & ink and printmaking.
Permanent, streak-free and fast-drying acrylic paint markers. Bright, bold colors for all crafts and art projects. Can be used on many surfaces including paper, fabric, wood, ceramic, plastic, glass and more.
Set of 2 x 5.3ml gold and silver waterbased markers.
Permanent, streak-free and fast-drying acrylic pain marker. Bright, bold colors for all crafts and art projects. Can be used on many surfaces including paper, fabric, wood, ceramic, plastic, glass and more.
Set of 2 x 5.3ml black and white waterbased markers.
Use Simply Daler Rowney blending sticks and tortillons to mix and blend pencils, charcoal and pastels to create a variety of effects and styles. Set contains 10 pieces in 7 different sizes.
Drawing and sketching set from Cretacolor contains 7 pieces:
Ensure deepblack, fat drawing – no fixative required. All set is water resistant, no smudging.