A removable picture varnish for a clear even gloss, which will not yellow or bloom. May be used on both oil and acrylic painting.
Slightly thinner than Alkyd Gel, it increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Reduces drying time.
A removable varnish that dries to a matt finish. It can be mixed with Artist’s Clear Picture Varnish to give a range of semi-gloss surfaces. It is non-yellowing. Removable with turpentine or white spirit, and can be used to varnish oils or acrylics.
A removable picture varnish for a clear even gloss finish, which will not yellow or bloom. May be used on both oil and acrylic painting.
By its very nature, oil colour is incompatible with water and dissolves only in turpentine, white spirit or low-odour thinners. Artists' oil colours are made by dispersing pigments in an oil medium to create a smooth, slow-drying paint. The choice of oil mediums from the wide variety available depends on the surface and the finish required, and the working properties preferred during painting.
An ideal all-purpose painting medium Daler Rowney made of Linseed Stand Oil, White Spirit and Oil of Spike Lavender, which dries to a tough elastic film. Easy to handle, it’s a perfect oil painting medium for beginners.
By its very nature, oil colour is incompatible with water and dissolves only in turpentine, white spirit or low-odour thinners. Artists' oil colours are made by dispersing pigments in an oil medium to create a smooth, slow-drying paint.The choice of oil mediums from the wide variety available depends on the surface and the finish required, and the working properties preferred during painting.
Low-odour thinner Daler Rowney as an alternative to turpentine is ideal when working in a confined space or for those artists who find turpentine too strong. Also used to clean palettes and brushes.
Purified, bleached. Used to dilute oil paint consistency.
Useful to dilute consistency of oil paints and to clean brushes and painting tools.
The purified extract from the resin of coniferous trees. Traditional solvent in oil painting.
Useful to dilute consistency of oil paints and to clean brushes and painting tools.
Purified, bleached. Used to dilute oil paint consistency.
Purified, bleached. Used to dilute oil paint consistency.
Purified, bleached. Used to dilute oil paint consistency.
The purified extract from the resin of coniferous trees. Traditional solvent in oil painting.
Useful to dilute consistency of oil paints and to clean brushes and painting tools.
The purified extract from the resin of coniferous trees. Traditional solvent in oil painting.
The purified extract from the resin of coniferous trees. Traditional solvent in oil painting.
Useful to dilute consistency of oil paints and to clean brushes and painting tools.
Drying oil, it has the tendency to yellow. Good drying quality. Used as medium, increases the brightness and glossiness of the colour, spreads the brush stroke, so reducing its marks.
Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colours.
Thinner with good solvent power for oil colours and varnishes. Very slow evaporation. Suitable also for cleaning brushes and palettes.
Almost completely odourless and colourless fluid. It has a moderate solvent power. Suitable for indoor use or for people sensitive to the odour of normal solvents. It is advisable not to overdo the amount used.
Almost completely odourless and colourless fluid. It has a moderate solvent power. Suitable for indoor use or for people sensitive to the odour of normal solvents. It is advisable not to overdo the amount used.
Light thinner, fast evaporation. Good solvent power. Ideal for cleaning brushes.
Vegetable solvent of antique origins. Medium-slow evaporation. Sensitive to light and air, when mixed with colours it tends to give a mat effect. Suitable also for cleaning brushes.