Medium to reduce the drying time of oil colours, decreasing their consistency. Use sparingly, checking the drying time reduction.
Medium to reduce the drying time of oil colours, decreasing their consistency. Use sparingly, checking the drying time reduction.
Gel to reduce the drying time of oil colours, leaving their viscosity unchanged. Use sparingly, checking the drying time reduction. Shake the bottle well before using.
Iridescent solution that produces a mat, very resistant film. Shake well before using. Do not apply on very absorbent surfaces, if not previously treated with insulating varnish. It can be mixed with Gloss picture varmish to obtain different degrees of glossy or mat effects. Reversible product.
This is a semi-shiny amber-colored medium that improves fluidity and transparency and softens brushstrokes. It is easy to mix, using brush or palette-knife and can be used instead of oil. When coating or overlapping colors nothing else is needed to increase the flexibility of subsequent layers: just increase the amount of Oilyn, gradually adding it as work proceeds.
Iridescent solution that produces a mat, very resistant film. Shake well before using. Do not apply on very absorbent surfaces, if not previously treated with insulating varnish. It can be mixed with Gloss picture varmish to obtain different degrees of glossy or mat effects. Reversible product.
Medium to reduce the oil colours consistency, without loosing their richness, as solvents do. It tends to yellow.
This is a semi-shiny amber-colored medium that improves fluidity and transparency and softens brushstrokes. It is easy to mix, using brush or palette-knife and can be used instead of oil. When coating or overlapping colors nothing else is needed to increase the flexibility of subsequent layers: just increase the amount of Oilyn, gradually adding it as work proceeds.
Drying oil recently introduced, with similar features to poppy seed oil. It does not yellow and dries quickly. It helps to soften and make more fluid oil colours. Particularly suitable for white and light colours.
Vegetable solvent of antique origins. Medium-slow evaporation. Sensitive to light and air, when mixed with colours it tends to give a mat effect. Suitable also for cleaning brushes.
Traditional final natural varnish. It tends to yellow. Its normal amber colour and any sediment do not compromise the final result. It imparts greater brightness and shine to colours.
Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colours.
Valuable oil of extreme purity and lightfastness. It does not yellow and dries slowly. Similar to safflower oil, it is particularly suited for white and very light colours.
Acrylic resin 3% Mixture of solvents 71% Mixture of siccatives from 0,5% to 1% Butan, Isobutan, Propan 25% UV filter Varnish based on desiccative additives. It reduces notably the drying time and it doesn't modify the shades. Suitable exclusively for oil colors.