Screen Printing is a technique which uses a a silk screen to transfer images drawn on the screen to your chosen surface. Here the System 3 acrylic colours are mixed with either a Screen Printing medium or a Textile Printing medium, if you wish to print on textiles.
The most fluid of the Liquin family of products, this quick drying, gloss medium is ideal for fine details, glazing & blending or to produce a smooth surface picture.
A pigmented liquid composed of rubber latex and pigment, for masking areas of work needing protection when colour is applied in broad washes.
A colourless, non-staining liquid composed of rubber latex for masking areas of work needing protection when colour is applied in broad washes.
Pure acrylic resin dispersion with ultraviolet (UV) light stabilizers
Preparation and use of Lascaux Acrylic Transparent Varnish-UV is the same as for the standard version, with the following reservations: At least two coats are always required, each diluted with about 25% of water, to guarantee the necessary UV absorption effect. Allow about 4-6 hours drying time between coats. Protection against UV rays is only achieved by applying Lascaux Acrylic Transparent Varnish-UV as the final stage. Mixing the product with the paints has no effect. Naturally, Lascaux Acrylic Transparent Varnish-UV can also be used for interior work but this is not strictly necessary.
Approx 40-70 ml/m2 per coat, depending on the support and application.
Acrylic Transparent Varnish 1-UV gloss and 2-UV matt contain UV absorbers that confer stability against UV rays.
Physiologically and toxicologically safe in conventional usage. USA: conforms to ASTM D-4236. “Non toxic.
Pure acrylic resin dispersion with ultraviolet (UV) light stabilizers
Preparation and use of Lascaux Acrylic Transparent Varnish-UV is the same as for the standard version, with the following reservations: At least two coats are always required, each diluted with about 25% of water, to guarantee the necessary UV absorption effect. Allow about 4-6 hours drying time between coats. Protection against UV rays is only achieved by applying Lascaux Acrylic Transparent Varnish-UV as the final stage. Mixing the product with the paints has no effect. Naturally, Lascaux Acrylic Transparent Varnish-UV can also be used for interior work but this is not strictly necessary.
Approx 40-70 ml/m2 per coat, depending on the support and application.
Acrylic Transparent Varnish 1-UV gloss and 2-UV matt contain UV absorbers that confer stability against UV rays.
Physiologically and toxicologically safe in conventional usage. USA: conforms to ASTM D-4236. “Non toxic.
Purified, bleached. Used to dilute oil paint consistency.
Purified, bleached. Used to dilute oil paint consistency.
Purified, bleached. Used to dilute oil paint consistency.
Purified, bleached. Used to dilute oil paint consistency.
Ketonic resin (50%) Isoparaffin hydrocarbons
Delicately applied, this varnish avoids the removal of Varnish colours for restoration. Thin with the Thinner for restoration.
Urethane oil and Alkyd resin (56%) White spirit Drying agents
Fatty amber finish, giving the painting an antique look. It is used as undercoat for the Picture cracking finish. It yellows in time.
Drying oil, it has the tendency to yellow. Good drying quality. Used as medium, increases the brightness and glossiness of the colour, spreads the brush stroke, so reducing its marks.
Amyl acetate Aromatic hydrocarbons Ethyl acetate Isopropyl alcohol
Similar to aromatic solvents, this powerful solvent is definitely less toxic. Particularly indicated for removing natural resin varnishes.
Essential oil extracted from conifer buds
It has the same features of Turpentine essence, but it is further processed and distilled, till is free of impurities.
Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colours.
Thinner with good solvent power for oil colours and varnishes. Very slow evaporation. Suitable also for cleaning brushes and palettes.
Isoparaffin hydrocarbons aromatic
Odourless thinner, scent-free. It is used to dilute the Final varnish for restauration Particularly indicated for an even application of varnish coats.
Almost completely odourless and colourless fluid. It has a moderate solvent power. Suitable for indoor use or for people sensitive to the odour of normal solvents. It is advisable not to overdo the amount used.
Almost completely odourless and colourless fluid. It has a moderate solvent power. Suitable for indoor use or for people sensitive to the odour of normal solvents. It is advisable not to overdo the amount used.
Light thinner, fast evaporation. Good solvent power. Ideal for cleaning brushes.
Medium to reduce the drying time of oil colours, decreasing their consistency. Use sparingly, checking the drying time reduction.
Chios mastic resin and ketonic (10%) Plasticiser Alcohols Ethyl acetate
Clear fluid to protect drawings and increasing the medium adhesion to the surface. Spray with quick movements. Keep the container well closed.
Venetian turpentine (91%) White spirit
Golden solution, called also "Fatty essence", it is used as medium for Terzo Fuoco ceramic pigments. It is used as medium in oil painting, to increase the shine and flexibility of the colour surface.
Gum arabic Glycerine Water
Opalescent solution that increases watercolour transparency and colour brightness. It improves the adhesion to the surface and spreads the brush stroke.