Tradition final natural varnish. It tends to yellow. Its normal amber colour and any sediment do not compromise the final result. It imparts greater brightness and shine to colours. Spray on with a rapid movement, holding can upright at a distance of about 30 cm from the work.
Colourless varnish, producing a very resistant mat film. It contains an opaque texturing agent, which tends to settle at the bottom, it is therefore advisable to shake the can well before using. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting. It dries fast.
Colourless light varnish, to be used also while painting, to eliminate opaque spots that may appear on unfinished areas. It dries fast and is moderately glossy. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting.
Universal, colourless protective varnish. Invisible when sprayed in a thin coat. It is used to fix and protect documents, drawings, watercolours, prints, gouache and oil paintings. It dries fast. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting.
Colourless varnish producing a very resistant film. It is used to varnish thoroughly dry oil paintings, acrylics, etc. Shake before using. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting. It dries fast.
Ketonic resin 16% Petroleum distillates 49% LPG propellant 35% UV filter