The paint is wiped onto the surface and so you can accentuates wrinkles in the fabric. If it is applied thinly with a stencil, it enhances the fabric structure.
Processing:
Rub a the paint onto the fabric, using a sponge. Can also be painted onto surface. Suitable for stenciling.
Especially suitable for textiles with high cotton content (jeans). To fix paint, iron with hot temperature and with much pressure with parchment paper. Wash at a maximum temperature of 30 °C (86° F). Follow fabric care instructions.
Paper or other non-metallic substrates in rust optics, what makes you think it won´t work? With Rusty for paper you got it right! Rusty is a product for flat painting, for example, on paper and many other flat surfaces such as wood, cardboard, metal and plastic. It can be perfectly stencilled and stamped. The typical rust-effects are achieved by wiping, dabbing or applying with a spatula.
Rusty preparation:
Rusty processing:
For a flat base color, Rusty is applied with a sponge brush. Special antique effects can also be achieved by partially dabbing with the 3D stamp paint. To receive a very natural antique effect, Rusty shall be applied again very thinly and partiall, and partially spread with a palette knife.
Rusty is particularly suited for designs in antique look.
All techniques - let your imagination take over. To fix the images, iron the back of the fabric for 5 minutes (on cotton - without steam)
All techniques - let your imagination take over. To fix the images, iron the back of the fabric for 5 minutes (on cotton - without steam)
Shimmering pearls on your fabrics and much more. Half-round „creamy“ pearl droplets of colour can be applied directly onto almost any object simply by squeezing the Pearl Pen top to control the size of the half-pearl droplet.
Fabric is an important part of our daily lives. The colours and ornaments of fabrics are an expression of our own image; we sometimes feel the need to express ourselves in our clothing and ornamentation, going beyond the motifs and colours which are produced on an industrial scale, churned out perfectly and impersonally by machines and computers.
In less than a century many of us have forgotten the pleasure of unique homemade decoration, the delicacy of crafts techniques, of traditional colours and ornaments. But now that even modernity is becoming a thing of the past, contemporary man seems to want to redefine his relationship with mass production, and is enthusiastically rediscovering the pleasures of age-old techniques which can re-establish the dynamic balance and harmony between thinking and acting. And thus we discover the various faces of man, ever different and original, various in form and style, but all sharing a deeply seated content and an instinct for decoration.
This is where Idea fabric colours come in. Fifty water-based colours. Transparent, opaque, pearly, lustrous and fluorescent, they can be freely mixed with one another. They are easy to apply pure or diluted over large areas or in complex patterns. On any fabric, with any kind of brush. Bright colours or pastel hues - the choice is up to you.