Acrylic-Medium for pouring applications (Pouring); pure or mixed in any amount with acrylic paints (preliminary tests recommened). Improves flow properties, reduces crazing without causing the acrylic pait to lose color depth. Dries waterproof, shiny and tranparent. Non-yellowing, flexible surface.
This white, translucent, heavy-bodied gel provides a cost-effective means of covering large areas with impasto colour when mixed with pure acrylic colour. Mixtures of Matt Impasto Gel with acrylic colour will dry to an eggshell matt finish. Just as with pure colour, the gel mixture will retain brush and knife marks, and have the same thick texture.
As with Matt Impasto Gel Medium, it provides a cost-effective alternative for large area coverage with a glossy finish. The colours become more transparent and glossy as more medium is added to the colour. Drying times will be slowed downf or the full gloss to develop.
The versatility of acrylics and their immediate popularity soon led to the introduction of acrylic mediums, a range of products designed to enhance the benefits of acrylics and allow special effects to be achieved.
Available in six colours: Shimmering Gold, Copper, Violet, Red, Blue and Green. Used straight from the tube and applied to a black surface they produce a magical shimmering, metallic, transparent lustre. The most dramatic effects are on black, where colour shows with electric intensity.
The versatility of acrylics and their immediate popularity soon led to the introduction of acrylic mediums, a range of products designed to enhance the benefits of acrylics and allow special effects to be achieved.
Available in six colours: Shimmering Gold, Copper, Violet, Red, Blue and Green. Used straight from the tube and applied to a black surface they produce a magical shimmering, metallic, transparent lustre. The most dramatic effects are on black, where colour shows with electric intensity.
The versatility of acrylics and their immediate popularity soon led to the introduction of acrylic mediums, a range of products designed to enhance the benefits of acrylics and allow special effects to be achieved.
Available in six colours: Shimmering Gold, Copper, Violet, Red, Blue and Green. Used straight from the tube and applied to a black surface they produce a magical shimmering, metallic, transparent lustre. The most dramatic effects are on black, where colour shows with electric intensity.
The versatility of acrylics and their immediate popularity soon led to the introduction of acrylic mediums, a range of products designed to enhance the benefits of acrylics and allow special effects to be achieved.
Available in six colours: Shimmering Gold, Copper, Violet, Red, Blue and Green. Used straight from the tube and applied to a black surface they produce a magical shimmering, metallic, transparent lustre. The most dramatic effects are on black, where colour shows with electric intensity.
The versatility of acrylics and their immediate popularity soon led to the introduction of acrylic mediums, a range of products designed to enhance the benefits of acrylics and allow special effects to be achieved.
Available in six colours: Shimmering Gold, Copper, Violet, Red, Blue and Green. Used straight from the tube and applied to a black surface they produce a magical shimmering, metallic, transparent lustre. The most dramatic effects are on black, where colour shows with electric intensity.
Pastel Fixative is a perfect colourless fixative for pastels, crayon or charcoal drawing.
A removable picture varnish for a clear even gloss, which will not yellow or bloom. May be used on both oil and acrylic painting.
Screen Printing is a technique which uses a a silk screen to transfer images drawn on the screen to your chosen surface. Here the System 3 acrylic colours are mixed with either a Screen Printing medium or a Textile Printing medium, if you wish to print on textiles.
The versatility of acrylics and their immediate popularity soon led to the introduction of acrylic mediums, a range of products designed to enhance the benefits of acrylics and allow special effects to be achieved.
Texture Paste by Daler Rowney is a thick paste which is used to build up heavy layers of texture. It dries to a matt white finish which is ideal for painting over with acrylic color.
250 ml
The versatility of acrylics and their immediate popularity soon led to the introduction of acrylic mediums, a range of products designed to enhance the benefits of acrylics and allow special effects to be achieved.
Texture Paste by Daler Rowney is a thick paste which is used to build up heavy layers of texture. It dries to a matt white finish which is ideal for painting over with acrylic color.
Pastel Fixative by Daler Rowney is a perfect colourless fixative for pastels, crayon or charcoal drawing.
Slightly thinner than Alkyd Gel, it increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Reduces drying time.
Improves the wetting and increases the flow of watercolour. Only add a few drops of Ox Gall to the mixing water.
A removable picture varnish for a clear even gloss finish, which will not yellow or bloom. May be used on both oil and acrylic painting.
Used to create striking white highlights or areas for overpainting at a later stage. Forms a fast-drying, water-resistant film on watercolour paper and board, easily removed when dry by rubbing with an eraser, soft tissue or cotton bud. An old brush, pen or cotton bud should be used to apply the Masking Fluid as it is extremely difficult to remove from brushes when dry.
A colourless liquid that is added to acrylic colour to reduce its viscosity and enhance its flow. Flow Enhancer is best added directly to colour in small quantities until the desired flow characteristics are achieved.
Specially developed for the protection of acrylic works from environmental pollutants which can cause surface degradation. Sealing the surface with varnish provides a barrier film which can be cleaned or removed, but leaves the paint itself unblemished. Provides a matt finish.
Specially developed for the protection of acrylic works from environmental pollutants which can cause surface degradation. Sealing the surface with varnish provides a barrier film which can be cleaned or removed, but leaves the paint itself unblemished. Provides a glossy finish.
Daler-Rowney Goldfinger varnish preserves the brightness of your Goldfinger gildings.
By its very nature, oil colour is incompatible with water and dissolves only in turpentine, white spirit or low-odour thinners. Artists' oil colours are made by dispersing pigments in an oil medium to create a smooth, slow-drying paint. The choice of oil mediums from the wide variety available depends on the surface and the finish required, and the working properties preferred during painting.
An ideal all-purpose painting medium Daler Rowney made of Linseed Stand Oil, White Spirit and Oil of Spike Lavender, which dries to a tough elastic film. Easy to handle, it’s a perfect oil painting medium for beginners.
By its very nature, oil colour is incompatible with water and dissolves only in turpentine, white spirit or low-odour thinners. Artists' oil colours are made by dispersing pigments in an oil medium to create a smooth, slow-drying paint.The choice of oil mediums from the wide variety available depends on the surface and the finish required, and the working properties preferred during painting.
Low-odour thinner Daler Rowney as an alternative to turpentine is ideal when working in a confined space or for those artists who find turpentine too strong. Also used to clean palettes and brushes.