Purified, bleached. Used to dilute oil paint consistency.
The purified extract from the resin of coniferous trees. Traditional solvent in oil painting.
Useful to dilute consistency of oil paints and to clean brushes and painting tools.
The purified extract from the resin of coniferous trees. Traditional solvent in oil painting.
The purified extract from the resin of coniferous trees. Traditional solvent in oil painting.
Useful to dilute consistency of oil paints and to clean brushes and painting tools.
Final varnish combining the flexibility and hardness qualities of its components. It can also be used for other mediums.
Ketonic resin (50%) Isoparaffin hydrocarbons
Delicately applied, this varnish avoids the removal of Varnish colours for restoration. Thin with the Thinner for restoration.
Highly priced natural varnish of traditional use. Very flexible. To use as addition to restoration colours.
Urethane oil and Alkyd resin (56%) White spirit Drying agents
Fatty amber finish, giving the painting an antique look. It is used as undercoat for the Picture cracking finish. It yellows in time.
Very fast drying, light varnish for retouching and restoration. Moderately shiny, it does not yellow.
Amber solution, ready to use. Brush over the surface treated with the Patina varnish. Once the cracks are formed and blackened, apply another coat of Patina varnish. Temperature and humidity of the environment affect the size of the cracks.
Drying oil, it has the tendency to yellow. Good drying quality. Used as medium, increases the brightness and glossiness of the colour, spreads the brush stroke, so reducing its marks.
Light final varnish. Suitable to remove mat areas formed on unfinished areas, while painting. Medium drying time. It is also used as final varnish, when little gloss is required.
Amyl acetate Aromatic hydrocarbons Ethyl acetate Isopropyl alcohol
Similar to aromatic solvents, this powerful solvent is definitely less toxic. Particularly indicated for removing natural resin varnishes.
Essential oil extracted from conifer buds
It has the same features of Turpentine essence, but it is further processed and distilled, till is free of impurities.
Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colours.
Thinner with good solvent power for oil colours and varnishes. Very slow evaporation. Suitable also for cleaning brushes and palettes.
Isoparaffin hydrocarbons aromatic
Odourless thinner, scent-free. It is used to dilute the Final varnish for restauration Particularly indicated for an even application of varnish coats.
Glossy, non yellowing varnish. Wait till the painting is fully dry before varnishing. Particularly protective thanks to its UV filter. Reversible product.
For oil and acrylic painting. Alternative product to conventional solvent varnishes. Easy to apply, it imparts a mat finish. It does not yellow in time.
Almost completely odourless and colourless fluid. It has a moderate solvent power. Suitable for indoor use or for people sensitive to the odour of normal solvents. It is advisable not to overdo the amount used.
Almost completely odourless and colourless fluid. It has a moderate solvent power. Suitable for indoor use or for people sensitive to the odour of normal solvents. It is advisable not to overdo the amount used.
Light thinner, fast evaporation. Good solvent power. Ideal for cleaning brushes.
Traditional final natural varnish. It tends to yellow. Its normal amber colour and any sediment do not compromise the final result. It imparts greater brightness and shine to colours.