Mediums & Grounds
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€ 5.30Maimeri white spirit 75ml
Thinner with good solvent power for oil colours and varnishes. Very slow evaporation. Suitable also for cleaning brushes and palettes.
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€ 7.70Maimeri Water based picture varnish 75ml
An alternative to traditional solvent varnish. Easy to apply, it enhances the colour brightness. It does not yellow with time.
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€ 8.90Maimeri gloss picture varnish 75ml
Glossy, non yellowing varnish. Wait till the painting is fully dry before varnishing. Particularly protective thanks to its UV filter. Reversible product.
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€ 8.60Maimeri Acrylic picture varnish 75ml
Finishing varnish based on non yellowing solvent, easy to apply. The UV filter makes this finish very suitable for outdoor painting.
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€ 8.10Maimeri retouching varnish 75ml
Light final varnish. Suitable to remove mat areas formed on unfinished areas, while painting. Medium drying time. It is also used as final varnish, when little gloss is required.
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€ 8.40Maimeri picture varnish 75ml
For oil painting. Final varnish combining the flexibility and hardness qualities of its components. It can also be used for other mediums.
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€ 8.40Maimeri fixative varnish 75ml
Clear and transparent solution, it does not yellow. It fixes and protects the painting or any other object. Suitable for any application. Clear and colourless, it is slightly mat if applied in a thin coat, while it acquires a glossy look in thicker coats.
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€ 9.60Maimeri patina varnish 75ml
Fatty amber finish, giving the painting an antique look. It is used as undercoat for the Picture cracking finish. It yellows in time.
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€ 31.10Maimeri mastic varnish 75ml
Very valuable natural varnish of antique tradition. It is very flexible and elastic, giving to the painting a particular brightness. It tends to yellow in time. Reversible product.
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€ 8.40Maimeri gouache gloss varnish 75ml
Clear and transparent solution that increases the gloss of gouaches. An undercoat of Insulating varnish is recommended. It must be reminded that, using this finish, gouaches loose their mat look and covering power, changing tones and making the brush strokes obvious. It protects the painting from damage caused by natural elements.
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€ 8.00Maimeri picture cracking varnish 75ml
Amber solution, ready to use. Brush over the surface treated with the Patina varnish. Once the cracks are formed and blackened, apply another coat of Patina varnish. Temperature and humidity of the environment affect the size of the cracks.
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€ 15.00Maimeri Siccatif varnish 400ml
Acrylic resin 3% Mixture of solvents 71% Mixture of siccatives from 0,5% to 1% Butan, Isobutan, Propan 25% UV filter Varnish based on desiccative additives. It reduces notably the drying time and it doesn't modify the shades. Suitable exclusively for oil colors.
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€ 15.00Fixative Maimeri 400ml
Colourless varnish to use sparingly to fix and protect drawings, paste gouaches. Keep the can in a vertical position, spraying in quick movements, at a distance of about 30 cm from the drawing.
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€ 15.00Maimeri damar varnish 400ml
Tradition final natural varnish. It tends to yellow. Its normal amber colour and any sediment do not compromise the final result. It imparts greater brightness and shine to colours. Spray on with a rapid movement, holding can upright at a distance of about 30 cm from the work.
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€ 15.00Maimeri final mat varnish 400ml
Colourless varnish, producing a very resistant mat film. It contains an opaque texturing agent, which tends to settle at the bottom, it is therefore advisable to shake the can well before using. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting. It dries fast.
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€ 15.00Maimeri retouching varnish 400ml
Colourless light varnish, to be used also while painting, to eliminate opaque spots that may appear on unfinished areas. It dries fast and is moderately glossy. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting.
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€ 15.00Maimeri fixative varnish aerosol 400ml
Universal, colourless protective varnish. Invisible when sprayed in a thin coat. It is used to fix and protect documents, drawings, watercolours, prints, gouache and oil paintings. It dries fast. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting.
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€ 15.00Maimeri final varnish 400ml
Colourless varnish producing a very resistant film. It is used to varnish thoroughly dry oil paintings, acrylics, etc. Shake before using. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting. It dries fast.
Ketonic resin 16% Petroleum distillates 49% LPG propellant 35% UV filter
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€ 26.20Maimeri Polycolor Gesso 1000ml
GESSO BIANCO;
The classic white makes it considered a universal right for paintings done by using light colors and dark and gloomy. The GESSO white can be used as background for the whole line of acrylic Polycolor.
GESSO NERO
The special black color makes this product irreplaceable as background for paintings by the dark tones or, conversely, to create contrast effects when placed under bright tones. For best results particularly impressive, we recommend the use of Gesso as a base for the line Polycolor Reflect.
GESSO AVORIO
The ivory color makes it suitable as background for paintings created with warm and bright colors, especially when applied to strokes and full-bodied "grainy". Opening, in fact, the brush points to a bright color of the fund that helps to "push forward " on top, overlapping tones. The Ivory Gesso is suitable for all Polycolor colours line and in particular as a primer for the tones of bronze, gold and copper.
GESSO GHIACCIO
The gray tone, makes it suitable as background for paintings made with cool colors and metal in general. Excellent when used with all colors of the range Polycolor, offers special effects as the basis for the cool tones of the line Polycolor Reflect and metallic line Polycolor Body.
GESSO RUVIDO
The rough Gesso Polycolor applies in any medium with a stiff bristle brush pork.We do not recommend dilution as not to lose the characteristic that distinguishes materiality. The film is uneven material and allows the top color and a full anchor. Despite the characteristic texture, is flexible and elastic. Indulge perfectly the movements of the support. The application of the top color is fragmented and discontinuous: the brush is wide and gives rise a beautiful effect "sand". The rough Gesso is used as a primer for all lines of acrylic Polycolor.
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€ 18.10Maimeri Polycolor Gesso 500ml
GESSO BIANCO;
The classic white makes it considered a universal right for paintings done by using light colors and dark and gloomy. The GESSO white can be used as background for the whole line of acrylic Polycolor.
GESSO NERO
The special black color makes this product irreplaceable as background for paintings by the dark tones or, conversely, to create contrast effects when placed under bright tones. For best results particularly impressive, we recommend the use of Gesso as a base for the line Polycolor Reflect.
GESSO AVORIO
The ivory color makes it suitable as background for paintings created with warm and bright colors, especially when applied to strokes and full-bodied "grainy". Opening, in fact, the brush points to a bright color of the fund that helps to "push forward " on top, overlapping tones. The Ivory Gesso is suitable for all Polycolor colours line and in particular as a primer for the tones of bronze, gold and copper.
GESSO GHIACCIO
The gray tone, makes it suitable as background for paintings made with cool colors and metal in general. Excellent when used with all colors of the range Polycolor, offers special effects as the basis for the cool tones of the line Polycolor Reflect and metallic line Polycolor Body.
GESSO RUVIDO
The rough Gesso Polycolor applies in any medium with a stiff bristle brush pork.We do not recommend dilution as not to lose the characteristic that distinguishes materiality. The film is uneven material and allows the top color and a full anchor. Despite the characteristic texture, is flexible and elastic. Indulge perfectly the movements of the support. The application of the top color is fragmented and discontinuous: the brush is wide and gives rise a beautiful effect "sand". The rough Gesso is used as a primer for all lines of acrylic Polycolor.