Mediums & Grounds
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€ 7.00Maimeri Rectified Turpentine Essence 75ml
Vegetable solvent of antique origins. Medium-slow evaporation. Sensitive to light and air, when mixed with colours it tends to give a mat effect. Suitable also for cleaning brushes.
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€ 17.70Maimeri Drying Medium 250ml
Medium to reduce the drying time of oil colours, decreasing their consistency. Use sparingly, checking the drying time reduction.
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€ 9.20Maimeri Pencil and Charcoal Fixative 75ml
Composition
Chios mastic resin and ketonic (10%) Plasticiser Alcohols Ethyl acetate
Characteristics
Clear fluid to protect drawings and increasing the medium adhesion to the surface. Spray with quick movements. Keep the container well closed.
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€ 9.20Maimeri Ox Gal 75ml
Unpleasantly scented fluid with tensioactive properties that improve the adhesion on paper and power of watercolours and gouaches. It prevents colour changes and blotches.
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€ 35.70Maimeri Venetian Turpentine 250ml
Composition
Venetian turpentine (91%) White spirit
Characteristics
Golden solution, called also "Fatty essence", it is used as medium for Terzo Fuoco ceramic pigments. It is used as medium in oil painting, to increase the shine and flexibility of the colour surface.
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€ 9.20Maimeri Watercolor Medium 75ml
Composition
Gum arabic Glycerine Water
Characteristics
Opalescent solution that increases watercolour transparency and colour brightness. It improves the adhesion to the surface and spreads the brush stroke.
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€ 8.90Maimeri Drying Medium 75ml
Medium to reduce the drying time of oil colours, decreasing their consistency. Use sparingly, checking the drying time reduction.
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€ 15.10Maimeri Drying Gel Medium 250ml
Gel to reduce the drying time of oil colours, leaving their viscosity unchanged. Use sparingly, checking the drying time reduction. Shake the bottle well before using.
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€ 9.20Maimeri Mikstion for gold leaf 75ml
Composition
- Linseed stand oil
- Wood stand oil
- White spirit
- Drying agents
Characteristics
Cement. Apply the gold leaf 12 hour after coating with the product. Once dry, rub forcefully the gold leaf with a wool rug.
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€ 25.50Maimeri Mikstion for gold leaf 250ml
Composition
- Linseed stand oil
- Wood stand oil
- White spirit
- Drying agents
Characteristics
Cement. Apply the gold leaf 12 hour after coating with the product. Once dry, rub forcefully the gold leaf with a wool rug.
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€ 7.80Maimeri mat water-based picture varnish 75ml
Alternative product to conventional solvent varnishes. Easy to apply, it imparts a mat finish. It does not yellow in time.
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€ 16.60Maimeri water-based picture varnish 250ml
For oil and acrylic painting. An alternative to traditional solvent varnish. Easy to apply, it enhances the colour brightness. It does not yellow with time.
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€ 9.10Maimeri Mat Picture Varnish 75ml
Iridescent solution that produces a mat, very resistant film. Shake well before using. Do not apply on very absorbent surfaces, if not previously treated with insulating varnish. It can be mixed with Gloss picture varmish to obtain different degrees of glossy or mat effects. Reversible product.
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€ 8.10Maimeri Medium Oilyn 75ml
This is a semi-shiny amber-colored medium that improves fluidity and transparency and softens brushstrokes. It is easy to mix, using brush or palette-knife and can be used instead of oil. When coating or overlapping colors nothing else is needed to increase the flexibility of subsequent layers: just increase the amount of Oilyn, gradually adding it as work proceeds.
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€ 21.90Maimeri Mat Picture Varnish 250ml
Iridescent solution that produces a mat, very resistant film. Shake well before using. Do not apply on very absorbent surfaces, if not previously treated with insulating varnish. It can be mixed with Gloss picture varmish to obtain different degrees of glossy or mat effects. Reversible product.
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€ 5.70Maimeri Oily Thinner 75ml
Medium to reduce the oil colours consistency, without loosing their richness, as solvents do. It tends to yellow.
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€ 18.10Maimeri Medium Oilyn 250ml
This is a semi-shiny amber-colored medium that improves fluidity and transparency and softens brushstrokes. It is easy to mix, using brush or palette-knife and can be used instead of oil. When coating or overlapping colors nothing else is needed to increase the flexibility of subsequent layers: just increase the amount of Oilyn, gradually adding it as work proceeds.
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€ 6.70Maimeri Safflower Oil 75ml
Drying oil recently introduced, with similar features to poppy seed oil. It does not yellow and dries quickly. It helps to soften and make more fluid oil colours. Particularly suitable for white and light colours.
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€ 11.00Maimeri rectified turpentine essence 250ml
Vegetable solvent of antique origins. Medium-slow evaporation. Sensitive to light and air, when mixed with colours it tends to give a mat effect. Suitable also for cleaning brushes.
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€ 5.30Maimeri Linseed Oil 75ml
Composition
Refined linen seed extract
Characteristics
Drying oil, it has the tendency to yellow. Good drying quality. Used as medium, increases the brightness and glossiness of the colour, spreads the brush stroke, so reducing its marks.
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€ 6.30Maimeri Stand Linseed Oil 75ml
Composition
Refined linseed oil, polymerised through heating
Characteristics
High viscosity oil, with tendency to yellow. It imparts a very glossy texture and spreads the brush stroke. It is advisable to wait about 1 month before varnishing the painting with a finish product.
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€ 13.40Maimeri Venetian Turpentine 75ml
Composition
Venetian turpentine (91%) White spirit
Characteristics
Golden solution, called also "Fatty essence", it is used as medium for Terzo Fuoco ceramic pigments. It is used as medium in oil painting, to increase the shine and flexibility of the colour surface.
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€ 6.20Maimeri Dammar Varnish 75ml
Traditional final natural varnish. It tends to yellow. Its normal amber colour and any sediment do not compromise the final result. It imparts greater brightness and shine to colours.
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€ 9.20Maimeri Walnut Oil 75ml
Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colours.
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€ 9.20Maimeri Poppy Oil 75ml
Valuable oil of extreme purity and lightfastness. It does not yellow and dries slowly. Similar to safflower oil, it is particularly suited for white and very light colours.